Score examples: Difference between revisions

Latest revision as of 23:03, 9 January 2023

Testing

T60688 staff instrument name bug

Task T60688 staff with name "Clarinet" displays as "inet" instead of "Clarinet":

$\new PianoStaff << \set PianoStaff.instrumentName = #"Clarinet" \context Staff = "up" { c'1 } \context Staff = "down" { \clef bass c1 } >>$

Conclusion: cannot reproduce with Lilypond 2.23.82 and Score from recent master using SVG output (see Special:Version).

Example Scores for SVG output

From Cadence:

$\new PianoStaff << \new Staff << \new Voice \relative c'' { \stemUp \clef treble \key e \minor \time 4/4 \partial2 b4 b a g fis2 e1 } \new Voice \relative c' { \stemDown \partial2 e4 e8 dis e fis g e e4 dis b1 } >> \new Staff << \new Voice \relative c' { \stemUp \clef bass \key e \minor \time 4/4 \partial2 g8 a b4 c b cis b8 a! gis1 } \new Voice \relative c { \stemDown \partial2 e8 fis g e c d e c ais4 b e,1 } >> >>$

Multi-system input

From String Quartet No. 1 (Górecki)

${ \relative { \key c \minor \clef "treble_(8)" \time 4/4 c'1 as2 bes2 c2 c2 es2 d2 c1 es1 f2 es2 d2 c2 c2 bes2 c1 c1 f2 d2 es2 g2 f2 es2 f1 f1 bes,2 c2 d2 es2 f2 d2 c1 c1 bes2 as2 bes2 g2 as2 bes2 g1 f1 as2 bes2 c2 as2 bes2 g2 f1 } \addlyrics { Już się zmierz -- cha, nad -- cho -- dzi noc, po -- pro -- śmy Bo -- ga o po -- moc, a -- by on na -- szym stra -- żem był, od złych czar -- tów nas o -- bro -- nił, któ -- rzy naj -- wię -- cej w_ciem -- no -- ści u -- ży -- wa -- ją swej chy -- tro -- ści. \bar "||" } }$

Testing raw input

Note: this requires safe mode to be disabled.

From Keyboard Sonata, K. 141 (Scarlatti), testing raw=1:

$\version "2.18.2" \header { tagline = ##f } % thèmes temaRep = { \repeat unfold 6 { d16 } \repeat unfold 6 { f } \repeat unfold 6 { e } \repeat unfold 6 { d } \repeat unfold 6 { e } \repeat unfold 6 { a } % ms. 7 d16 bes a g f e | f g a d, e cis } temaBass = { < d g a d >8 r8 r8 | q r8 r8 | < a' cis e a >8 r8 r8 | < bes cis d g >8 r8 r8 | < a d e a >8 r8 r8 | % ms. 6 < f a d >8 r8 r8 | < g bes d g >8 r8 r8 | < a d f >4 < a e' g >8 } temaBassG = { < d g a d >8 r8 r8 | q r8 r8 | < a' d e a >8 r8 r8 | < bes d g >8 r8 r8 | < a d e a >8 r8 r8 | % ms. 6 < f a d >8 r8 r8 | < g bes d g >8 r8 r8 | < a d f >4 < a e' g >8 } % petites notes trillD = { \tag #'print { d8.\trill } \tag #'midi { e32 d e d~ d } } trillG = { \tag #'print { g8.\trill } \tag #'midi { a32 g a g~ g } } upper = \relative c'' { \clef treble \key d \minor \time 3/8 \tempo 4. = 80 % \tempo 8 = 210 \set Staff.midiInstrument = #"harpsichord" s8*0^"Allegro" \temaRep | d16 bes a g f e { \relative c' \temaRep } | d4. | \repeat unfold 2 { a''4.~ | a16 e cis a g' e } | % ms. 23 a4. | bes16 g d bes g bes | g'4. | a16 f c a f a | % ms. 27 f'4. | g16 e c g e g | e'4. | f16 d a f d f | f' e d c bes a | % ms. 32 bes'16 a g f e d | \repeat unfold 2 { cis16 d \trillD cis32 d | e f g16 \trillG f32 g } | % ms. 37 a16 e cis a e cis | \change Staff = "lower" a16 e cis a e cis | \tempo 8 = 130 a4. } lower = \relative c { \clef bass \key d \minor \time 3/8 \set Staff.midiInstrument = #"harpsichord" % ************************************** \temaBass | << { d8 } \\ { d,4 s8 } >> \relative c, \temaBassG < d, d' >4. % ms. 19 \repeat unfold 2 { a'''16 f d a f d | a4. } a''16 f d a f d | g,4. g''16 e c g e c | f,4. f''16 d bes f d bes | e,4. e''16 cis a e cis a | d,4. << { d''4. | \repeat unfold 5 { g4. } a8 } \\ { d,,8 e f | g a bes | \repeat unfold 4 { a8 bes4 } a8 } >> s4 s4. | s4. } thePianoStaff = \new PianoStaff << \set PianoStaff.instrumentName = #"Clav." \new Staff = "upper" \upper \new Staff = "lower" \lower >> \score { \keepWithTag #'print \thePianoStaff \layout { #(layout-set-staff-size 17) \context { \Score \override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/2) \remove "Metronome_mark_engraver" } } } \score { \keepWithTag #'midi \thePianoStaff \midi { } }$

Multi-page output

Mozart's Alla turca, from Mutopia (raw=1)

Note

For scores on Wikipedia, see Special:PagesWithProp

@@ Line 1: / Line 1: @@
-These are Score examples, using SVG output (natively, using the [https://www.mediawiki.org/wiki/Extension:NativeSvgHandler NativeSvgHandler] extension)
+== Testing ==
+=== T60688 staff instrument name bug ===
+Task [https://phabricator.wikimedia.org/T60688 T60688] staff with name "Clarinet" displays as "inet" instead of "Clarinet":
+<score>
+\new PianoStaff <<
+  \set PianoStaff.instrumentName = #"Clarinet"
+  \context Staff = "up" { c'1 }
+  \context Staff = "down" { \clef bass c1 }
+>>
+</score>
+Conclusion: cannot reproduce with Lilypond 2.23.82 and Score from recent master using SVG output (see [[Special:Version]]).
+== Example Scores for SVG output ==
 From [https://en.wikipedia.org/wiki/Cadence Cadence]:
 <score lang="lilypond">
     \new PianoStaff <<
        \new Staff <<
           \new Voice \relative c'' {
               \stemUp \clef treble \key e \minor \time 4/4
@@ Line 14: / Line 32: @@
                \partial2 e4 e8 dis e fis g e e4 dis b1
                }
              >>
       \new Staff <<
-          \new Voice \relative c' {
+          \new Voice \relative c'  {
               \stemUp \clef bass \key e \minor \time 4/4
               \partial2 g8 a b4 c b cis b8 a! gis1
@@ Line 37: / Line 55: @@
   \key c \minor
   \clef "treble_(8)"
   \time 4/4
      c'1 as2 bes2 c2 c2 es2 d2 c1 es1 f2 es2
      d2 c2 c2 bes2 c1 c1 f2 d2 es2 g2 f2 es2 f1
      f1 bes,2 c2 d2 es2 f2 d2 c1 c1 bes2 as2 bes2 g2
      as2 bes2 g1 f1 as2 bes2 c2 as2 bes2 g2 f1
 }
@@ Line 139: / Line 157: @@
    \keepWithTag #'midi \thePianoStaff
    \midi { }
+}
+</score>
+== Multi-page output ==
+Mozart's Alla turca, from Mutopia (raw=1)
+<score raw="1">
+\version "2.23.14"
+\header {
+  title = "Rondo Alla Turca"
+  subtitle = "Turkish March"
+  composer = "W. A. Mozart"
+  piece = "Allegretto"
+  mutopiatitle = "Sonate Opus KV 331 - Rondo Alla Turca"
+  mutopiacomposer = "MozartWA"
+  mutopiainstrument = "Piano"
+  mutopiaopus = "KV 331"
+  style = "Classical"
+  license = "Public Domain"
+  source = "IMSLP"
+  maintainer = "Rune Zedeler and Chris Sawer"
+  maintainerEmail = "chris@mutopiaproject.org"
+ footer = "Mutopia-2015/08/13-108"
+ copyright =  \markup { \override #'(baseline-skip . 0 ) \right-column { \sans \bold \with-url "http://www.MutopiaProject.org" { \abs-fontsize #9  "Mutopia " \concat { \abs-fontsize #12 \with-color #white \char ##x01C0 \abs-fontsize #9 "Project " } } } \override #'(baseline-skip . 0 ) \center-column { \abs-fontsize #11.9 \with-color #grey \bold { \char ##x01C0 \char ##x01C0 } } \override #'(baseline-skip . 0 ) \column { \abs-fontsize #8 \sans \concat { " Typeset using " \with-url "http://www.lilypond.org" "LilyPond" " by " \maintainer " " \char ##x2014 " " \footer } \concat { \concat { \abs-fontsize #8 \sans{ " Placed in the " \with-url "http://creativecommons.org/licenses/publicdomain" "public domain" " by the typesetter " \char ##x2014 " free to distribute, modify, and perform" } } \abs-fontsize #13 \with-color #white \char ##x01C0 } } }
+ tagline = ##f
+}
+\include "deutsch.ly"
+dynamics = {
+  s4\p s2*4
+  s2*3 s4 s4\mp s2*2
+  s2*5 s4 s4\p
+  s2*2 s2\cresc s8\fz s8\p s4 s2*2
+  s2 s4 s8\f s8 s2*3
+  s2*4 s4 s4\p
+  s2*2 s2\< s2\>
+  s2\! s2*2 s4 s4\f
+  s2*5
+  s2*2 s4 s4\p s2*2
+  s2\< s4\! s4\cresc s2\> s2 s2\p
+  s4 s4\f s2*4
+  s2*3 s4 s4\p
+  s2*5
+  s2*2 s4 s4\mp s2*3
+  s2*4 s4 s4\p s2
+  s2 s2\cresc s8\fz s8\p s4 s2*3
+  s4 s4\f s2*3
+  s2*4
+  s4 s2 s2\f s2 s2
+  s2*3 s2\f s2
+  s2*4
+  s2\p s2*3
+  s2*3 s2\f
+  s2*5
+  s2*3 s2\f s4 s4\ff s2
+}
+righta = \transpose c c'' {
+  h,16-4( a, gis, a,-1 |
+  c8)-.-3 r d16-3( c h, c |
+  e8)-.-4 r f16-4( e dis e-1 |
+  h-4 a gis a h a gis a |
+  c'4)\accent a8-.-2 c'-.-4 |
+  \grace { g!32[( a)] } h8-.-> <fis a>-.-2-4 <e g>-. <fis a>-. |
+  \grace { g32[( a)] } h8-.-> <fis a>-.-2-4 <e g>-. <fis a>-. |
+  \grace { g32[( a)] } h8-.-> <fis a>-.-4 <e g>-. <dis fis>-.-2-4 |
+  e4--
+}
+rightaa = \transpose c c'' {
+  h,16( a, gis, a, |
+  c8)-. r d16( c h, c |
+  e8)-. r f16( e dis e |
+  h a gis a h a gis a |
+  c'4*1/2) s8 a8-.-2 h-. |
+  c'-.\accent h-. a-.-1  gis-.-2 a-. e-. f-.-4 d-.-2 |
+  c4-- h,8.-2\trill( a,32 h, |
+  a,4)--
+}
+rightb = \transpose c c'' {
+  <c e>8[-.-1-3 <d! f!>-.] |
+  <e g>-.-1-3 <e g>-. a16-4( g f e) |
+  << { d4\accent-4 } \\ { h,8-2( g,) } >> <c e>8-. <d! f!>-. |
+  <e g>-. <e g>-. a16-4( g f e) |
+  <h, d>4\accent---2-4 <a, c>8-.-1-3 <h, d>-. |
+  <c e>-.-1-3 <c e>-. f16-4( e d c) |
+  << { h,4\accent-4 } \\ { gis,8-2( e,) } >> <a, c>8-. <h, d>-. |
+  <c e>-. <c e>-. f16( e d c) |
+  <gis, h,>4\accent---2-4
+}
+rightc = \relative c''' {
+  <a a,>8-. <h h,>-. |
+  <cis cis,>4\accent\tenuto <a a,>8-. <h h,>-. <cis cis,>-.\accent <h h,>-. <a a,>-. <gis gis,>-. |
+  <fis fis,>-. <gis gis,>-. <a a,>-. <h h,>-. <gis gis,>-4( <e e,>)-. <a a,>8-. <h h,>-. |
+  <cis cis,>4\accent\tenuto <a a,>8-. <h h,>-. <cis cis,>-.\accent <h h,>-. <a a,>-. <gis gis,>-. |
+  <fis fis,>-. <h h,>-. <gis gis,>-. <e e,>-. |
+  <a a,>4\tenuto
+}
+rightco = \relative c'' {
+  a16( a' h, h' |
+  cis,\accent cis') r8 a,16( a' h, h' cis, cis' h, h' a, a' gis, gis') |
+  fis,( fis' gis, gis' a, a' h, h' gis, gis' e, e') a,16( a' h, h' |
+  cis,\accent cis') r8 a,16( a' h, h' cis, cis' h, h' a, a' gis, gis') |
+  fis,( fis' h, h' gis, gis' e, e'
+}
+rightcoa = \transpose c c' {
+  <a a'>4)
+}
+rightcoat = \transpose c c' {
+  <a a'>4\tenuto )
+  << { cis''8. cis''16 } \\ { cis'4 } >>
+}
+rightd = \relative c''' {
+  cis16-3( d cis h a h a gis-3 fis a gis fis |
+  eis fis gis eis cis-2 dis eis cis |
+  fis-4 eis-1 fis gis a gis a-1 h |
+  cis his cis his cis d cis h) |
+  a( h a gis-3 fis a gis fis |
+  e! fis gis e cis-2 dis e cis |
+  dis-3 e fis dis his-1 cis dis his |
+  cis4--)
+}
+righte = \relative c''' {
+  e,16-5( d! cis h! |
+  a h cis d-1 e fis gis a) |
+  a\accent-4( gis fis e) e-5( d cis h |
+  a-1 h cis d-1 e fis gis a) |
+  ais8\accent-3( h-.-4) e,16-5( d cis h |
+  a h cis d-1 e fis gis a) |
+  a\accent-4( gis fis e) e-4( d cis h |
+  cis-3 e a,-1 cis-4 h d gis,-2 h-4 |
+  a4)-- cis'16( d cis h a h a gis fis a gis fis |
+  eis fis gis eis cis dis eis cis) |
+  fis( eis fis gis a gis a h |
+  cis-3 his cis his cis his cis ais-2 |
+  d)-4( cis d cis d cis d cis |
+  d cis h a gis-2 a h gis |
+  a h cis fis,-2 eis fis gis eis fis4)--
+}
+strum = \transpose c c { <<
+  { cis'2\accent } \\
+  { <cis e a>4\arpeggio }
+>>
+}
+rightf = \transpose c c'' {
+  << \strum \\ { s4 } >> |
+  \strum |
+  d'16-4( cis')-. h-. cis'-. d'( cis')-. h-. cis' |
+  <d' a fis>2\accent |
+  \repeat unfold 4 { \grace d'8( <cis' a e>8)-. } |
+  << { h4.-3( e'8)-. } \\ { <gis e>2 } >> |
+  << \strum \\ s4 >> |
+  \strum |
+  d'16( cis')-. h-. cis'-. d'( cis')-. h-. cis' |
+  <d' a fis>2\accent |
+  \grace d'8( <cis' a e>2)-. |
+  \repeat unfold 4 { \grace cis'8( <h gis e>8)-. } |
+  a4-- \grace { e32[( a)] } cis'8.-.-4 cis'16 |
+  \repeat unfold 2 { \grace { e32[( a)] } cis'2\accent } |
+  d'16( cis')-. h-. cis'-. d'( cis')-. h-. cis' |
+  d'2\accent |
+  \repeat unfold 4 { \grace { d'8( } cis'8)-. } |
+  h4.-2( e'8)-. |
+  << \strum \\ s4 >> |
+  \strum |
+  d'16( cis')-. h-. cis'-. d'( cis')-. h-. cis' |
+  <d' a fis>2\accent |
+  \grace { d'8( } <cis' a e>2)-. |
+  \repeat unfold 4 { \grace { cis'8( } <h gis e>8)-. } |
+  <a, cis e a-->4. <cis cis'>8-. |
+  <a, a-->4. <e e'>8-. |
+  <a, a-->4. <cis cis'>8-. |
+  <a, a>-. <cis cis'>8-. <a, a>-. <e e'>8-. |
+  <a, a>4-. <a, cis e a >4-.( |
+  <a, cis e a >4)-. r4
+}
+lefta = {
+  r4 |
+  a8(-5 <c' e'>)-. <c' e'>-. <c' e'>-. |
+  a8( <c' e'>)-. <c' e'>-. <c' e'>-. |
+  a8-. <c' e'>-. a8-. <c' e'>-. |
+  a8( <c' e'>)-. <c' e'>-. <c' e'>-. |
+  e-.-> <h e'>-. <h e'>-. <h e'>-. |
+  e-.-> <h e'>-. <h e'>-. <h e'>-. |
+  e-.-> <h e'>-. h,-. h-. |
+  e4--
+}
+leftaa = {
+  r4 |
+  a8( <c' e'>)-. <c' e'>-. <c' e'>-. |
+  a8( <c' e'>)-. <c' e'>-. <c' e'>-. |
+  a8-. <c' e'>-. a8-. <c' e'>-. |
+  f8( <a dis'>)-. <a dis'>-. <a dis'>-. |
+  e-. <a e'>-.  d!-. <f h>-. |
+  c-. <e a>-. d-. <f h>-. |
+  <e a>-.-4-1 <e a>-. <e gis>-.-4-2 <e gis>-. |
+  <a, a>4--
+}
+leftb = {
+  \repeat unfold 2 { r4 | c8-. c'-. e-. e'-. | g4 }
+  \repeat unfold 2 { r4 | a,8-. a-. c-. c'-. | e4 }
+}
+stra = {
+  \grace { a,32[( cis  e)] }
+  a8-.-> a-.
+}
+strd = {
+  \grace { d,32[( fis,  a,)] }
+  d8-.-> d-.
+}
+strdis = {
+  \grace { dis,32[( fis,  a,)] }
+  dis8-.-> dis-.
+}
+stre = {
+  \grace { e,32[( gis,  h,)] }
+ e8-.-> e-.
+}
+stral = { \stra a8-. a-. }
+strdl = { \strd d8-. d-. }
+strel = { \stre e8-. e-. }
+leftc = {
+  r4 \stral \stral \strd \strdis \strel \stral \stral \strd \stre
+}
+leftd = \relative c {
+  r4 |
+  fis8-5( <a cis>)-. <a cis>-. <a cis>-. |
+  gis8-4( <h cis>)-. <h cis>-. <h cis>-. |
+  fis8( <a cis>)-. <a cis>-. <a cis>-. |
+  eis8( <gis cis>)-. <gis cis>-. <gis cis>-. |
+  fis8( <a cis>)-. <a cis>-. <a cis>-. |
+  gis8( <cis e!>)-. <cis e>-. <cis e>-. |
+  gis8( <dis' fis>)-. <dis fis>-. <dis fis>-. |
+  <cis e>4--
+}
+lefte = \relative c' {
+  r4 |
+  a8( <cis e>)-. <cis e>-. <cis e>-. |
+  h-. <d e>-. gis,-. <d' e>-. |
+  a8( <cis e>)-. <cis e>-. <cis e>-. |
+  e,8( <gis d'>)-. <gis d'>-. <gis d'>-. |
+  a8( <cis e>)-. <cis e>-. <cis e>-. |
+  h-. <d e>-. gis,-. <d' e>-. |
+  a-.-1 fis-.-2 d-. e-. a,-. a'-. r4 |
+  fis8( <a cis>)-. <a cis>-. <a cis>-. |
+  gis8( <h cis>)-. <h cis>-. <h cis>-. |
+  fis8( <a cis>)-. <a cis>-. <a cis>-. |
+  cis,( <gis' cis>)-. <g cis>-. <fis cis'>-. |
+  h,8( <fis' h>)-. <fis h>-. <fis h>-. |
+  h,8( <gis'! h>)-. <gis h>-. <gis h>-. |
+  cis,-. <fis a>-. cis-. <gis' h>-. <fis a>4--
+}
+leftf = {
+  \stral \stral \stral \strdl \stral \strel \stral \stral \stral \strdl \stral \strel
+  a16( e' cis' e' a e' cis'  e')
+  \repeat unfold 6 { a16 e' cis' e' }
+  \repeat unfold 2 { a16 fis' d' fis' }
+  \repeat unfold 2 { a16 e' cis' e' }
+  \repeat unfold 2 { e16 e' gis e' }
+  \stral \stral \stral \strdl \stral \strel \stral \stral \stral \stra \stra
+  a,4-. <a, cis e a  >-.( < a, cis e a >)-. r4
+}
+right = {
+  \clef G
+  \key a \minor
+  \partial 4
+  \repeat volta 2 { \righta }
+  \repeat volta 2 { \rightb \rightaa }
+  \key a \major
+  \repeat volta 2 { \rightc }
+  \repeat volta 2 { \rightd }
+  \repeat volta 2 { \righte }
+  \repeat volta 2 { \rightc }
+  \key a \minor
+  \repeat volta 2 { \righta }
+  \repeat volta 2 { \rightb \rightaa }
+  \key a \major
+  % These repeat commands form a manual volta+alternative set for the
+  % purpose of fixing a warning regarding an inability to end a volta
+  % spanner. One other way to fix this is to have the alternative
+  % clause encompass the entire 2nd alternative which has the
+  % consequence of extending the volta line to the end of the
+  % piece. (I tried shortening the line which worked but still gave
+  % the warning.)
+  \set Score.repeatCommands = #'(start-repeat)
+  \rightco
+  \set Timing.measureLength = #(ly:make-moment 1/4)
+  \set Score.repeatCommands = #'((volta "1"))
+  \rightcoa
+  \set Score.repeatCommands = #'((volta #f) (volta "2") end-repeat)
+  \set Timing.measureLength = #(ly:make-moment 2/4)
+  \once\override Slur.positions = #'(4 . 4)
+  \hideNotes \grace a'16.^( \unHideNotes
+  \rightcoat
+  \set Score.repeatCommands = #'((volta #f))
+  \barNumberCheck #98
+  \rightf
+  \bar "|."
+}
+left = {
+  \clef F
+  \partial 4
+  \repeat volta 2 { \lefta }
+  \repeat volta 2 { \leftb \leftaa }
+  \key a \major
+  \repeat volta 2 { \leftc a,4^\tenuto }
+  \repeat volta 2 { \leftd }
+  \repeat volta 2 { \lefte }
+  \repeat volta 2 { \leftc a,4^\tenuto }
+  \key a \minor
+  \repeat volta 2 { \lefta }
+  \repeat volta 2 { \leftb \leftaa }
+  \key a \major
+  \leftc
+  \set Timing.measureLength = #(ly:make-moment 1/4)
+  a,4
+  \set Timing.measureLength = #(ly:make-moment 2/4)
+  \stra a8-. a8-.
+  \leftf
+  \bar "|."
+}
+\score {
+  \new PianoStaff
+  <<
+    \new Staff {
+      \time 2/4
+      \right
+    }
+    \new Dynamics {
+      \override DynamicTextSpanner.style = #'none
+      \dynamics
+    }
+    \new Staff {
+      \left
+    }
+  >>
+  \layout {}
+  \midi {}
 }
 </score>